I will echo the sentiments of my fellow bloggers—the Annual Conference provides innumerable ways to catch up with friends, in unlikely ways. After catching the Health and Safety in the Studio session in ARTspace, I was able to sit down very briefly with Claudia Sbrissa for a chat. I invited Claudia on a panel I chaired in 2009 in Los Angeles, entitled “Ornament Now: Reassessing its Theories and Functions,” but have not seen her since. Thank goodness for Facebook!
After getting caught up with our personal lives since 2009, we got down to professional activities! Claudia was busy recently working on a new series. She notes, “The series Satis House continues my engagement with notions of place and space. The work explores processes of transformation; the simultaneous perishing and reinventing of our narrative; our collective loss, desire and longing.”
Claudia continues, “My process involves shredding black velvet into flocking, which I use as a drawing material. The abstract forms and shapes though mysterious are rooted in the natural world, alluding to organisms and the body in flux; a world overwhelmed, dissolving, and mutating. I work back into these spaces using pen, ink and watercolor to create dense clusters and masses. These spaces move from microscopic to macroscopic, suggesting illusions of infinite depth and space. Somewhere within these fragmented worlds lies our future; the promise of renewal.”
Currently teaching at St. John’s University, New York, Claudia received a BFA from York University, Toronto, Canada, a Bachelor’s in Education from Queen’s University, Kingston, Canada, and an MFA from Cornell University, Ithaca, NY. Recent exhibitions and projects include: this place is a bunch of lines Salon, Salon Ciel, New York, NY (2010), a site specific installation & works on paper, The Muriel Guepin Gallery, NY, NY 2010, The Persistent Future, Cue Foundation, New York, NY 2010, Utopia is Hard, Courthouse Gallery, Lake George Art Project, Lake George, NY 2009, Uncommon Threads, Walsh Gallery, Seton Hall University, NJ 2009, Exquisite Corpse, curated by Anonda Bell & Caren King, Paul Robeson Galleries, Rutgers University, New Brunswick, NJ, 2009. Awards include residencies at Woman’s Studio Workshop, Rosendale, NY, Contemporary Artist Center, North Adams, MA; I-Park in East Haddam, CT; Lower Eastside Printshop, NYC; and Skowhegan School of Painting & Sculpture, Skowhegan, ME; as well as grants from Queen’s Council on the Arts, and The Canada Council on the Arts.